Subtext: Conversations about Classic Books and Films
A podcast by Wes Alwan and Erin O'Luanaigh - Mondays
113 Episodes
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The Power of Calm: Two Wordsworth Sonnets
Published: 28/02/2022 -
What Nature Betrays: Wordsworth’s “Tintern Abbey” (Part 2)
Published: 14/02/2022 -
Mother Nature’s Nurture in Wordsworth’s “Tintern Abbey” (Part 1)
Published: 31/01/2022 -
The Fool Gets Hurt in Fellini’s “La Strada” (1954)
Published: 17/01/2022 -
False Roles and Fictitious Selves in “The Awakening” by Kate Chopin
Published: 03/01/2022 -
(post)script: Post-Wonderful
Published: 27/12/2021 -
The Pain of Anonymity in “It’s a Wonderful Life” (1946)
Published: 20/12/2021 -
(post)script: Is “Die Hard” a Christmas Movie?
Published: 13/12/2021 -
Attachments “Die Hard” at Nakatomi Tower
Published: 06/12/2021 -
Mad as Hell in “Network” (1976)
Published: 22/11/2021 -
Autonomy and Incest in Sophocles’s “Oedipus Rex”
Published: 08/11/2021 -
Gender Opera in “Tootsie”
Published: 25/10/2021 -
Our Name is Subtext, Podcast of Podcasts. Hear our “Ozymandias” Discussion, Ye Listeners, and Despair!
Published: 11/10/2021 -
Sex and Tech in “Alien” by Ridley Scott
Published: 27/09/2021 -
Dead Wall Reveries in Melville’s “Bartleby the Scrivener”
Published: 13/09/2021 -
Cursed Kids or Psych-Au Pair? “The Turn of the Screw” by Henry James
Published: 30/08/2021 -
Gentility and Injustice in “Gone with the Wind” (1939)
Published: 16/08/2021 -
Realism as Cruelty in “A Streetcar Named Desire” by Tennessee Williams
Published: 02/08/2021 -
Prestidigitocracy in “The Wizard of Oz” (1939)
Published: 19/07/2021 -
Formulated Phrases in “The Love Song of J. Alfred Prufrock” by T. S. Eliot: Part 2
Published: 05/07/2021
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.