Subtext: Conversations about Classic Books and Films

A podcast by Wes Alwan and Erin O'Luanaigh - Mondays

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113 Episodes

  1. The Tyranny of the Good in Woody Allen’s “Hannah and Her Sisters”

    Published: 06/11/2023
  2. Odysseus and Penelope’s Comedy of Remarriage (“The Odyssey,” Postscript to Part 3)

    Published: 30/10/2023
  3. Terminal Wooings in “The Odyssey” (Part 3 of 3)

    Published: 23/10/2023
  4. Foolish Adventures in “The Odyssey” (Part 2 of 3)

    Published: 25/09/2023
  5. Home as Identity in “The Odyssey”

    Published: 28/08/2023
  6. Competing Affections in “The Lion in Winter”

    Published: 31/07/2023
  7. Friendship and Honor in “Becket” (1964)

    Published: 03/07/2023
  8. Losing Your Head in Alice Munro’s “Carried Away”

    Published: 05/06/2023
  9. Time and Taboo in “Back to the Future” (1985)

    Published: 16/05/2023
  10. The Violence of Redemption in John Donne’s “Batter My Heart” (Holy Sonnet 14)

    Published: 10/04/2023
  11. Mortal Pretensions in John Donne’s “Death Be Not Proud” (Holy Sonnet 10)

    Published: 13/03/2023
  12. Trauma and Repetition in Roman Polanski’s “Chinatown” (1974)

    Published: 13/02/2023
  13. Better and Bested in “Who’s Afraid of Virginia Woolf?”

    Published: 16/01/2023
  14. Pagan Poetics in “Sunday Morning” by Wallace Stevens

    Published: 19/12/2022
  15. Production for Use in “His Girl Friday”

    Published: 21/11/2022
  16. Post-Doctoral Bedevilment in Christopher Marlowe’s “Dr. Faustus”

    Published: 24/10/2022
  17. Fate and Blame in “Long Day’s Journey into Night”

    Published: 26/09/2022
  18. Work as Madness in “The Bridge on the River Kwai” (1957)

    Published: 09/05/2022
  19. What Falls Upon the Living in James Joyce’s “The Dead”

    Published: 11/04/2022
  20. Finding Home in Stephen Spielberg’s “E.T.” (1982)

    Published: 14/03/2022

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Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.

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