(in)sight-reading enlightenment/early music podcast
A podcast by Darina Ablogina
67 Episodes
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Carnival in Basel/Kevin Klapka about the Fasnacht tradition
Published: 07/03/2022 -
..about love, acceptance, attentiveness and developed society
Published: 28/02/2022 -
Sonates corellisantes/Telemann
Published: 19/02/2022 -
Franz Schubert, his Shepard and a way to deal with words and letters/Francesco Spendolini
Published: 01/02/2022 -
Music makes us equal/Uli Fussenegger
Published: 17/01/2022 -
Merry Christmas! French ancient Xmas songs with Christopher Wattam
Published: 26/12/2021 -
Ruins of the Arciorgano and the neutral third/Johannes Keller
Published: 22/12/2021 -
The beauty of the human voice: Maya Amir and the cantata "Mi palpita il cor" by G. F. Händel
Published: 14/12/2021 -
Norbert Rodenkirchen: medieval echoes
Published: 02/12/2021 -
Sonority of PHAEDRUS
Published: 19/11/2021 -
Improvisation time with Baptiste Romain
Published: 09/11/2021 -
Ludwig van Beethoven and a little piano curtain
Published: 26/10/2021 -
The core of music/interview with Marcus Weiss
Published: 08/10/2021 -
John Walsh "the Pirate"vs. Georg Friedrich Händel
Published: 30/09/2021 -
Alexis Kossenko: the ambassador of perfection
Published: 16/09/2021 -
Finding beauty in a Paradise Lost / Christopher Wattam
Published: 05/07/2021 -
Improvisation time with Peter Croton/special edition
Published: 24/06/2021 -
Father or son? Intriguing life of a flute sonata by CPE Bach/First piano by B. Cristofori
Published: 15/06/2021 -
Il Ciarlatano with Compagnia LA BALDRACCA/Thomas Höft, Michael Hell, Adrian Schvarzstein about comical Intermezzi by Giovanni Pergolesi
Published: 01/06/2021 -
Good bye my love, I have no money/ Adieu mes amours by Josquin des Prez with ensemble "La Fiamma"
Published: 21/05/2021
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.