Lessons in Chemistry: DP Zachary Galler’s visual formula

The Cinematography Podcast - A podcast by The Cinematography Podcast - Wednesdays

The Cinematography Podcast Episode 275: Zachary Galler The Apple TV+ show, Lessons in Chemistry, is a period piece set in the 1950s. Elizabeth Zott (Brie Larson) is a brilliant chemist whose career is derailed by sexism. Denied her scientific aspirations, she finds an unexpected platform hosting a cooking show, using it to empower women and challenge societal norms. Zachary Galler, one of the Emmy-nominated cinematographers behind the stunning visuals of Lessons in Chemistry, brought a unique perspective to the 1950s drama. Rather than indulging in nostalgia, Zack aimed to create a lived-in world that resonated with contemporary audiences. The team chose the ARRI Alexa Mini LF camera because it handles natural light very well. After many lens tests, they picked Canon K 35 lenses, which Zack felt were quite flattering. One of the show's most visually striking settings was the chemistry lab. While it might seem like a dream location for a cinematographer, Zack found unique challenges. "So much of what chemists do is pouring clear liquids into other clear liquids," he explained. To overcome this, Zack focused on creating spaces that allowed for dynamic performances, emphasizing natural light and embracing imperfections to enhance the authenticity of the scenes. Zack and his team meticulously planned their shots, opting for side lighting to draw viewers into the characters’ worlds. They also employed practical techniques like dollies and Steadicams for dynamic walk-and-talk scenes. To capture the era's aesthetic, Galler developed a custom LUT inspired by vintage food photography. However, the power of the performances ultimately led to a decision to tone down the LUT, allowing the actors to shine without visual distractions. Collaborating with fellow cinematographer Jason Oldek on the series was a highlight for Zack. "I feel like what’s really successful about the show is the comprehensive world-building that we did," he said. Together, they crafted a visual language that captured the essence of the 1950s without resorting to clichés, creating a world that felt both familiar and fresh. Find Zachary Galler: Instagram: zachary_galler Close Focus: Cable TV appears to be dying as stock value in companies like Warner Bros. Discovery and Paramount have shrunk by billions of dollars. Ben's short end: The horror movie Cuckoo, which was super creepy and gets under your skin. Illya's short end: The Apple TV+ show, Sunny. Sponsored by Hot Rod Cameras Sponsored by Aputure: The Aputure Sidus Four 4-Universe CRMX Transmitter has a built-in wireless router and ethernet node supporting up to four additional wired DMX universes. Sidus Four can transmit up to 8 DMX universes. You can pre-order yours at Hot Rod Cameras. Sponsored by Greentree Creative: If you enjoy The Cinematography Podcast and you're interested in growing or starting your own podcast, contact Alana Kode at Greentree Creative. Greentree Creative can help you with all of your digital marketing needs including podcast launch and creation, advertising, social media management and content creation. LIKE AND FOLLOW US, send fan mail or suggestions! Rate,

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