57: The Eighties Matchbox B-Line Disaster - Sym Gharial on Brighton and bass lines, Liam Gallagher's favourite music video, and a surprising movie role

This week on The Boys in the Band Podcast we talk to Sym Gharial from The Eighties Matchbox B-Line Disaster, the hard rocking band from Brighton, about their three albums, wild live shows, and a music video which Liam Gallagher named as a favourite!     The band's music was picked up by advertisers and movie-makers - leading to a surprise appearance in Shaun of the Dead! - but away from the commercial space this was a band with a close connection to the fans which followed them.  We discuss their rise, their attitude to the rest of the scene at the time, and how they captured that live show intensity on records.  The Eighties Matchbox B-Line Disaster fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - [email protected] Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 7 May 2021* FREE BEER! Our sponsors Beer 52 have a great offer for Boys in the Band Podcast listeners! If you fancy a free case of 8 craft beers go to beer52.com/band and all you have to do is cover the postage costs of £5.95.

Om Podcasten

Hey scenesters! On The Boys in the Band Podcast we bring you exclusive interviews with the musicians who soundtracked the 00s indie scene. The best gigs, the secrets to songwriting the biggest hits, and what came next… Hear the inside stories from your favourite bands. If you loved that scene - The Libertines, Arctic Monkeys, Mystery Jets, The Cribs, The Maccabees, The Holloways etc - then this is the podcast for you! Get in touch and let us know your favourite bands/songs/gigs from the era. Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - [email protected] Written, presented and produced by Peter Smith and Richard Gallagher Artwork by Daniel Curtin