56: The Horrors - Faris Badwan on being inspired by the 00s indie club scene, the evolving sound of the band, and what's coming next

This week on The Boys in the Band Podcast we talk about London's iconic indie club scene of the mid-2000s with The Horrors frontman Faris Badwan. The band went on to be nominated for a Mercury Prize for their standout Primary Colours album and toured the world - but it all started with Faris stood in the crowd at a White Heat show in central London on a Tuesday night... We discuss the importance of the London club scene and the community which surrounded it - and how it inspired musicians such as Faris to pick up an instrument or microphone and take to the stage themselves.  Plus - a lot more! From fashion to Faris' art... and new Horrors music on the way.  The Horrors fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - [email protected] Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 26 March 2021* FREE BEER! Our sponsors Beer 52 have a great offer for Boys in the Band Podcast listeners! If you fancy a free case of 8 craft beers go to beer52.com/band and all you have to do is cover the postage costs of £5.95. 

Om Podcasten

Hey scenesters! On The Boys in the Band Podcast we bring you exclusive interviews with the musicians who soundtracked the 00s indie scene. The best gigs, the secrets to songwriting the biggest hits, and what came next… Hear the inside stories from your favourite bands. If you loved that scene - The Libertines, Arctic Monkeys, Mystery Jets, The Cribs, The Maccabees, The Holloways etc - then this is the podcast for you! Get in touch and let us know your favourite bands/songs/gigs from the era. Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - [email protected] Written, presented and produced by Peter Smith and Richard Gallagher Artwork by Daniel Curtin