Don’t eat your deadly greens
Stories in Colour - A podcast by The National Gallery
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Why does the colour green remind you of poison and radioactivity? We're telling the story of two toxic green pigments to find out. Their stories interact with artists like Berthe Morisot, Dante Gabriel Rossetti and William Morris, as well as the less likely figure of Napoleon Bonaparte. And we go for a very good nosy around Victorian libraries. Join cultural historian Kassia St Clair and National Gallery host Beks Leary to ask just how deadly these historic pigments really are! Kassia is the author of books including 'The Secret Lives of Colour', 'The Golden Thread' and 'Liberty: Design. Pattern. Colour'. She specialises in telling stories about the overlooked and every day. -----Watch the full episode on YouTube: https://youtu.be/9PIn-7FesV8 You can email us with any questions via [email protected] out more about the podcast on our website: www.nationalgallery.org.uk/podcast-----To take our short survey about the podcast please visit: https://www.nationalgallery.org.uk/podcast -----Paintings mentioned:Camille Pissarro, ‘The Côte des Bœufs at L'Hermitage’, 1877. The National Gallery, London https://www.nationalgallery.org.uk/paintings/camille-pissarro-the-cote-des-boeufs-at-l-hermitage Edouard Manet, ‘Music in the Tuileries Gardens’, 1862. The National Gallery, London https://www.nationalgallery.org.uk/paintings/edouard-manet-music-in-the-tuileries-gardens Dante Gabriel Rossetti, ‘Veronica Veronese’, 1872. The Delaware Art Museum © Delaware Art Museum / Samuel and Mary R. Bancroft Memorial / Bridgeman Images https://emuseum.delart.org/objects/321/veronica-veronese Berthe Morisot, ‘Summer’s Day’, about 1879. The National Gallery, London https://www.nationalgallery.org.uk/paintings/berthe-morisot-summer-s-day Further reading:Kassia St Clair, The Secret Lives of Colour, 2016 David Bomford, Jo kirby, John Leighton and Ashok Roy, Art in the Making: Impressionism, 1990 William Morris and Norman Kelvin, The Collected Letters of William Morris, 1984 To see ‘The Arsenic Waltz’ wood engraving, dated to 8 February 1862, from Punch or the London Charivari, visit the Wellcome Collection’s online catalogue:
