198 - Artificial Intelligence in Filmmaking, Hosted by Carlos López Estrada

Dolby Creator Talks - A podcast by Dolby

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Academy Award®-nominated director (“Raya and the Last Dragon”) — and Dolby Institute Fellowship winner — Carlos López Estrada brings together another panel of working filmmakers and creatives, this time to discuss the hot button issue of AI in Filmmaking.Joining the discussion are:- Jorge R. Gutierrez (Filmmaker - “The Book of Life,” “Maya and the Three”)- Isa Mazzei (Filmmaker - “Cam,” “How to Blow Up a Pipeline”)- Paul Trillo (Filmmaker, Visual Artist - “The Hardest Part” music video for Washed Out)- Dave A. Liu (Producer/Financier - “Dìdi (弟弟),” “Sasquatch Sunset”)- Dave Clark (Filmmaker, Futurist, Educator)- Joe Penna (Filmmaker - “Stowaway”)“I see all of it as inevitable. And lot of things that are being put out there are frankly, I find, just not that provocative or interesting. And I think AI is being used in a very lazy way, which is totally fine. But, if you have the discipline and if you have the experience, you can take that experience use this tool as a way… to discover these ideas that you probably wouldn’t have made otherwise.”—Paul Trillo, Filmmaker and Director of “The Hardest Part” music videoBe sure to check out Paul Trillo’s controversial Sora-generated music video for Washed Out, “The Hardest Part.”This is another amazing conversation which is part of our ongoing “Satellite Sessions” series, which we’re bringing to you in partnership with Antigravity Academy and the Coalition of Asian Pacifics in Entertainment. Follow @antigravityacademy and @capeusa for more information on even more upcoming panels.Antigravity AcademyCAPE (Coalition of Asian Pacifics in Entertainment)For more inspiring Satellite Sessions just like this one, be sure you are subscribed to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn. 

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