Episode 53: Unobtanium

We've covered a lot of gear on this podcast before.  Some cameras are ones that flew under the radar that deserved some recognition as something worth checking out, others were less common models in which a bit more effort (and cost) were required to add to a collection, but then there's a level of camera in which no amount of money or effort will result in one coming your way.  These are the Unobtanium cameras, models which are so expensive, or so hard to find, that even the most experienced of collectors don't have them. Joining Anthony, Theo, Paul, and Mike on this episode dedicated to the hardest cameras to find are some people who have found some of the hardest cameras to find, Ira Cohen, Ray Nason, Robert Rotoloni, Patrick Rapps, Rudi Berden, and James Thorpe.  Each of these guys has at least one camera that for most people would quality as unobtanium.  How they came across each model varies, but nevertheless, represent some of the coolest and hardest to find cameras ever made. As we did in the last episode, we start off this one with a question, asking our guests to define what exactly qualifies as unobtanium.  As you might expert, rarity and cost are definitely prerequisites, but what about functionality or provenance?  Does a camera that's very difficult to find in working order or a camera formerly owned by the Beatles still qualify as unobtanium.  In addition to rare cameras, lenses and accessories can qualify too, so we get into some extras that are really hard to find as well. If you were to break down types of unobtanium cameras, one that would be the hardest of the hardest to find would be prototypes, so in this episode we spend time talking about some of the coolest prototypes including two interchangeable lens rangefinders made by Minolta and Konica, but also Robert Rotoloni goes DEEP into the rabbit hole of prototype Nikon rangefinder cameras and lenses.  If you thought the Nikon SP was the most advanced 35mm rangefinder the company ever made, think again as there were two others. The rest of the episode is all over the place, discussing rare cameras by Ilford, Argus, Wica, Premier Instrument Corp, and LeCoultre.  We are quite certain that we missed some other rare and otherwise difficult to find cameras, but as always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. As we did last year, we're taking the entire month of August off to relax, soak in some sun, and maybe even catch up on shooting all of the cool cameras we've all picked up in the past year so we will not be back with Episode 54 until September.  The guys and I will still be active on the Camerosity Facebook page, so keep in touch with us there, and once we have an idea of when we'll record the next episode, and what possible topics we might discuss, we'll be sure to let you know! This Week's Episode How Do You Define "Unobtanium" / Rarity, Expensive, or Something Else? / Unobtanium Lenses Cameras Not Known to Be Very Reliable: Kodak Ektra, Hasselblad XPan, Graflex 3A Rudi Berden Reviews the Kodak Ektra / Leaving Notes in the Film Compartment Cameras that Have Provenance or Were Owned by Someone